In this episode of Crash Course, I am joined again by Lynch aficionados Ben Elsener and Andy Stewart to go deep on three more films from director David Lynch.
The conversation kicks off with Eraserhead, Lynch’s surreal student project that delves into fears of parenthood and intimacy in the strangest possible manner. From there, we transition to Blue Velvet, one of Lynch’s master works, which deals with the themes of evil and how it is intertwined with Americana. Lastly, we discuss The Straight Story, a heartwarming departure from Blue Velvet, featuring Richard Farnsworth.
The final film, and really all three of them, epitomize Lynch’s thematic range and interest in simple human kindness as a counterbalance to his interest in the darker side of human nature.
Throughout, the episode, we continue to touch on Lynch’s unique creative processes, the way he is fueled by transcendental meditation, and the broader implications of his work, particularly just what the term “Lynchian” means.
Show Notes
00:00 Introduction
01:41 Introducing the Films: Eraserhead, Blue Velvet, and The Straight Story
03:52 Discussing the Range of David Lynch’s Work
14:47 Diving into Eraserhead
26:28 Transition to Blue Velvet
33:42 Dennis Hopper’s Iconic Performance
36:16 Exploring Evil and Good in Blue Velvet
44:03 The Straight Story: A Journey of Kindness and Redemption
01:00:25 David Lynch’s Critique of Hollywood from within
Note: In the middle of the episode, we discuss David Foster Wallace’s impression of David Lynch vis a vis an essay he wrote after visiting him on set. You can find the full essay right here.
